He who will never be a pen
by Yves Collin Angeles There was a time when I believed writing was sacred. Writing wasn’t just a task; it was a ritual, a dance with the intangible. The scrape of pen on paper, the hum of ideas rushing to be caught—all of it felt profoundly human, a gift only we could give. Then one day, a stranger arrived. This stranger had no face, no heart, no ink-stained hands. It wasn’t bound by sleepless nights or the ache of self-doubt. This stranger could write, and it could write well. And its name was Artificial Intelligence. At first, I hated it. I hated what it represented, what it could do. It wasn’t a partner; it was an intruder. AI felt like the noisy tourist stomping through the sacred halls of creativity. “What does it know about writing?” I thought. “It doesn’t feel heartbreak. It doesn’t taste joy. It doesn’t bleed.” And yet, it could produce essays faster than I could outline them. It could create poetry in seconds, stories with compelling arcs, even sentences that shimmered with elegance. I laughed bitterly as I read its work, but deep inside, I felt something more dangerous: fear. What if this…thing was better than me? What if it could replace me? I began to see AI everywhere. It wasn’t just editing my grammar or offering suggestions; it was in schools, workplaces, homes—writing, composing, conversing. The fear grew louder: “Do I even matter anymore?” The rain began to fall. Not a gentle drizzle, but a storm. Self-doubt thundered in my mind. Why should I even try, when AI could outpace me at every turn? But in the noise of that storm, I began to see something clearer. AI didn’t care about storytelling, about connecting, about truth. It wasn’t creating because it felt compelled to share its soul; it was simply responding, processing, spitting out what it thought was correct. Evidence supports this. Studies from the MIT-IBM Watson AI Lab show that while AI is exceptional at analyzing patterns and producing coherent texts, it struggles with creativity and emotional nuance. A 2022 report by OpenAI also highlighted that AI models are reliant on training data, meaning they are bound by the limits of what they’ve learned. They cannot invent truly novel concepts, as their outputs are derivatives of the human-authored materials they were trained on. It was fast, yes. Precise, yes. But it wasn’t alive. There is something about humanity AI cannot touch. It doesn’t know what it feels like to love someone who doesn’t love you back. It doesn’t ache from a loss so profound it splits you in two. It doesn’t dream of a better life while walking home in the rain, soaked and shivering, but smiling anyway because hope is still alive. AI doesn’t live. It doesn’t feel. That realization was my lightning strike. It wasn’t AI’s fault that it was brilliant at organizing words and offering clarity; it was my fault for forgetting what made me a writer in the first place. One rainy afternoon, as I struggled to finish an article that refused to cooperate, I swallowed my pride. I opened an AI writing assistant. “Help me,” I typed. It did. It didn’t write for me, but it offered a spark, a path I hadn’t seen. And in that moment, AI wasn’t my enemy. It was my companion—a flashlight in the dark woods of creativity. I realized something important that day. AI will never be the pen in a writer’s hand, but it can help clear the clutter around the page. It can’t give meaning to words, but it can guide you when you’re lost in the fog of your thoughts. It isn’t here to replace us; it’s here to support us. Used wisely, AI can be a writer’s greatest ally. But when abused—when over-relied upon—it strips the soul from the art. It becomes a crutch for laziness rather than a ladder to excellence. The truth is, AI is not the storm; it is the umbrella. It cannot create the rain, nor can it feel the joy of walking through it. But it can shield you when the downpour gets too heavy, when you need a little help to carry on. As writers, as humans, we must remember this: AI can assist, but it cannot replace. It can suggest, but it cannot dream. The future of language and social transformation doesn’t belong to AI. It belongs to us—the storytellers, the dreamers, the architects of meaning. So don’t fear this stranger. Invite it to your desk, but never let it sit in your chair. Use it as your umbrella, not your rain. And never, ever forget—the pen is still in your hand.Beach waves to City lights by Aliyah Barut
If there’s one thing I’m grateful for, it’s experiencing the simple yet fulfilling lifestyle of the province before transitioning to the city. Growing up in Palawan shaped who I am—it was a life filled with adventure, nature, and endless opportunities to explore my interests. This is the lifestyle I had back in the province, a chapter of my life that I will always treasure. Life in Palawan was peaceful yet exciting. I would wake up to the sound of birds instead of car horns, bike around quiet streets, and spend weekends at the breathtaking beaches with friends and family. There was no rushed feeling, no overwhelming pressure—just the joy of being close to nature. Anytime I felt like it, I could take a quick swim, enjoy the ocean breeze, and watch the stunning sunset. Back in Palawan, I was always active, not just in sports but also in extracurricular activities. I loved being involved in school events and leadership roles. I was the former Mother Majorette of our school’s D...
Comments
Post a Comment